« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Dans la Lune - Fanette Mellier
Entretiens – Jérôme Dupeyrat
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Retour d'y voir - n° 1 & 2 - Mamco
Eldorado maximum - Les commissaires anonymes
Avec ce qu'il resterait à dire - Anne Maurel
Aristide n°4
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
MegaOctet Verbateam
Gruppen n°13 - Collectif
interférence - 3 - maycec
Aurore Colbert - Marie Mons
本の本の本 - antoine lefebvre editions,
Slanted 30 - Athens
Assembly - Sam Porritt
Objets Minces - Collectif
Musée des Beaux-Arts - Pierre Martel
Editer l’art – Leszek Brogowski
Prose postérieure - Les commissaires anonymes
Imagos - Noémie Lothe
Blaclywall by Sihab Baik - Claude Closky
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
The Shelf - Journal 3
In The Navy - Julien Kedryna
Watch out - Anne-Émilie-Philippe
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida 













