« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

š! #39 'The End' - coll.
Slanted 24 - Istanbul
Mariken Wessels — Miss Cox
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Hérésie Étiologique - coll.
Mökki n°4
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Le dos des choses - Guillaume Goutal
Jířa - Lucie Lučanská
Titanic Orchestra - Julien Mauve
Shanghai Cosmetic - Leslie Moquin
Grilles - Zelda Mauger
Aurore Colbert - Marie Mons
Papier magazine n°06 - Coupe du monde
People in a faraday cage - Stéphanie Gygax
Sans titre - Benjamin Hartmann
Débris N°2 - Théo Garnier Greuez
Halogénure #04
Le chateau enchanté - Atelier Mclane
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Paravents - Eva Taulois
L'inventaire des destructions - Éric Watier
Eros Negro # 1 - Demoniak
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Eldorado maximum - Les commissaires anonymes 













