« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Optical Sound 2
Changer l'art par ses marges ? - Charlotte Laubard
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Aurore Colbert - Marie Mons
Dans la Lune - Fanette Mellier
Wayfaring - Patrick Messina, André S. Labarthe
fil·le·s de polypropylène bleu - coll.
Désolation - Verity Spott
Dessins pour Rugir - Virginie Rochetti
La prise - Florian Javet
À partir de n°3 - Collectif
Zoom Age - Julien Auregan
Retour d'y voir - n° 1 & 2 - Mamco
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Pectus Excavatum - Quentin Yvelin
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red 













