« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Le vieux père - Laurent Kropf
La construction - Perrine Le Querrec
Aurore Colbert - Marie Mons
La traversée - Magali Brueder
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
People in a faraday cage - Stéphanie Gygax
本の本の本 - antoine lefebvre editions,
America - Ayline Olukman, Hélène Gaudy
akaBB - tribute to Roni horn
Lisa Zordan . one-shot the end
Seoul Flowers & Trees - tribute to Lee Friedlander
Le dos des choses - Guillaume Goutal
La prise - Florian Javet
Titanic Orchestra - Julien Mauve
Wayfaring - Patrick Messina, André S. Labarthe
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red 













