”Like a celebrity’s sunglasses, Alex Besikian’s images actually show everything they want to hide: from intricate, long and carefully crafted photomontages made from photographs of traces & imprints (scotch tape, peeling paint on a wall, broken shop windows, etc.). These images proceed from successive coverings and erasures, deletions, withdrawals. Alex Besikian’s colored surfaces are empty screens that mask missing parts.

On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
— Laurent Bruel (Editions Matière), 2023

Saint Julien l'hospitalier Tome 1 - Claire Pedot
Pø om Pø - Kaja Meyer
Dear Paul - Paul Van der Eerden
Good Company - Paul Van der Eerden
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Bokkusu - Nigel Peake
Critique d'art n°55
Reading - Ilan Manouach
Shanghai Cosmetic - Leslie Moquin
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
L'atelier partagé avec Géraldine Trubert
Sex I - Kingué Camille
Slanted 24 - Istanbul
C'est les vacances n°2 - coll. dir. Eugénie Zely
Salt Crystal - Fabio Parizzi
The Barefoot Promise - Pierre Leguillon
interférence - 3 - maycec
MENU メニュー - Wataru Tominaga
Pectus Excavatum - Quentin Yvelin
Le chateau enchanté - Atelier Mclane
Red Horse - Sasha Kurmaz
Entretiens – Jérôme Dupeyrat
L'inventaire des destructions - Éric Watier
AARC – Alter Architecture Research Collective n° 01
America - Ayline Olukman, Hélène Gaudy
Gruppen n°14 - Collectif
À partir de n°1 - Coll.
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Rasclose - Geoffroy Mathieu
Konrad Becker - Dictionnaire de réalité stratégique
La Janais - Gaëtan Chevrier, Jérôme Blin
(page 1 et 17) - Lorraine Druon
Retour d'y voir - n° 3 & 4 - Mamco
Sillo n°3 - Le Fauve
Gros Gris n°4 - Duel
Aurore Colbert - Marie Mons
Rocher du Ciel - Martin Desinde
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Ludmilla Cerveny - Work
Email Diamant - Fabienne Radi
Strates & Archipels - Pierre Merle
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Piano - Joseph Charroy
Hello tomato - Marion Caron & Camille Trimardeau
Titanic Orchestra - Julien Mauve
Critique d'art n°54
Seoul Flowers & Trees - tribute to Lee Friedlander
Mökki n°4
Calendrier des révoltes - Matthieu Saladin
De tels baisers - Jul Gordon
Christina Forrer - Don’t Swallow Your Tongue
Saint Julien l'hospitalier Tome 2 - Claire Pedot
The life of Ruben - Bernardo Sousa Santos
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Dédale - Laurent Chardon
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Roven n°5
Fluent - Laëticia Donval
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







