In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

9 octobre 1977 - Roberto Varlez
Sillo n°3 - Le Fauve
Le corps travesti - Michel Journiac
It was a good day - Jeremy Le Corvaisier
Six Months - Nathalie Ghanem-Latour
Retour d'y voir - n° 3 & 4 - Mamco
Anémochorie - Antonin Detemple
L'arum tacheté de J-M. Bertoyas
Le singe et le bijoux - Roxane Lumeret
Les Grands Ensembles - Léo Guy-Denarcy
Gros Gris n°4 - Duel
Wayfaring - Patrick Messina, André S. Labarthe
MASKS - Damián Ortega 















