In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Before Science - Gilles Pourtier, Anne-Claire Broc'h
Anderlecht — Molenbeek - Pierre Blondel
Spécimen Typographique : No Ko - Loris Pernoux
Morph - Camilo García A.
America - Ayline Olukman, Hélène Gaudy
Janitor of Lunacy - Bryan Campbell
ARTZINES #1, Paris issue
JJ – Tartine-moi et autres textes - Jill Johnston
Betty Tompkins - Raw Material
Strates - Else Bedoux
She is warm - Iringo Demeter
Imagos - Noémie Lothe 















