In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Alma Mater n°1
ARBRES-TRONCS - Zoé van der Haegen
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Bruits - Emmanuel Madec
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
Photographic Fields - Joël Van Audenhaege
La traversée - Magali Brueder
Deep state - Mathieu Desjardins
Titanic Orchestra - Julien Mauve
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Zoom Age - Julien Auregan
Poèmes - Yvonne Rainer
Strates - Else Bedoux
How to Become the Daughters of Darkness - Coll.
Black Case Volume I and II: Return From Exile - Joseph Jarman
Dernier royaume - Quentin Derouet 















