In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Le corps travesti - Michel Journiac
Imagos - Noémie Lothe
Mökki n°4
La vallée - la brèche - Tania Maria Elisa
Screen Printing Basics - ottoGraphics
Le Parfum du Silence - Bonnie Colin
Grilles - Zelda Mauger
Odette - Benoît Le Boulicaut
Illusive prosody - Alex Beaurain
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Entrez sans sonnet - Julie Redon
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Florina Leinß - Ersatzteillager
PRISON MUSEUM - Nicolò Degiorgis
Regards croisés — Gekreutze Blicke - Yeloyolo
Hmm ! - C. de Trogoff
Editer l’art – Leszek Brogowski
Le blanc nez - Fouss Daniel
Sur la page, abandonnés — vol.3
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
A Compilation Of Contemporary Letter Designs
The Letter A looks like The Eiffel Tower - Paul Andali
10 MINUTES Architects and Designers in Conversation
Roven n°5
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier 















