In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

La mémoire en acte - Quarente ans de création musicale
Après la révolution – numéro 1
Le lacéré anonyme - Jacques Villeglé
Une livre - Christine Demias
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Norovirus - Orgie en mers chaudes - Claude Grétillat
Vacuité 9090 - Jérémy Piningre
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Mökki n°2
Dernier royaume - Quentin Derouet
Le blanc nez - Fouss Daniel
Typologie – La tente de camping
America - Ayline Olukman, Hélène Gaudy
Eros negro n°4 - Démoniak
L'atelier partagé avec Géraldine Trubert
Rasclose - Geoffroy Mathieu
Deep state - Mathieu Desjardins
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Dédale - Laurent Chardon
Rocher du Ciel - Martin Desinde
Titanic Orchestra - Julien Mauve 















