In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Tropism - Nhu Xuan Hua
A book (untitled) - Maya Strobbe
Eldorado maximum - Les commissaires anonymes
Prélude - Julien Gobled
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
1994 - 2001 - Lorenzo Castore
Critique & création - L.L. de Mars
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
La traversée - Magali Brueder
Collective Design : Alison & Peter Smithson
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Le blanc nez - Fouss Daniel
Imagos - Noémie Lothe
УYY - Yelena Yemchuk
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Les dessins de Julien - Julien Marmar
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Les soleils qui tournent ont des oreilles - coll.
Keywording (Post) Contemporary Art - Greta Rusttt
Mökki n°4
In The Navy - Julien Kedryna 















