“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Escape - Makiko Minowa
Deep state - Mathieu Desjardins
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Delete Instagram - Brad Phillips
Karbone Magazine n°8 - Parasite
Retour d'y voir - n° 3 & 4 - Mamco
Sans titre - Benjamin Hartmann
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Der Erste Rotkehlchen - Le livre
Holy Mountain - Maia Matches, Knuckles & Notch
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
Strates & Archipels - Pierre Merle
Sans titre - Chris Kiss
Red Horse - Sasha Kurmaz
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Vaguement inoubliable - Bill Noir
Wayfaring - Patrick Messina, André S. Labarthe
Flynn zine # 1 - Flynn Maria Bergmann
Pluie - Coll. - Lagon revue
Idoine & Antonin Giroud-Delorme
Cyclone - Juliette Chalaye
Polyphème (d'après Euripide) - J. & E. LeGlatin
America - Ayline Olukman, Hélène Gaudy
L'arum tacheté de J-M. Bertoyas
Champs libres - Gwen Le Gac
Ar(t)chitectures situées - Étienne Delprat
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Mariken Wessels — Miss Cox
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
SKKS - Gilles Pourtier
ARTZINES #1, Paris issue
Fluent - Laëticia Donval
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Isaiah Zagar . off zine 1
Dishes for Dolls - Ruth van Beek
Distant Egghug - Peter McDonald
It was a good day - Jeremy Le Corvaisier
Seoul Flowers & Trees - tribute to Lee Friedlander 































