Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Autodrône - Divine Vizion
ARTZINES #3 - Tokyo issue
Le vieux père - Laurent Kropf
Before Science - Gilles Pourtier, Anne-Claire Broc'h
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Editer l’art – Leszek Brogowski
Watch out - Anne-Émilie-Philippe
Comic Book (Untitled) - Stéphanie Leinhos
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
La construction - Perrine Le Querrec
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Salt Crystal - Fabio Parizzi
Graphzine Visages
Pilote - Mathilde Sauzay
Prose postérieure - Les commissaires anonymes
Papier magazine n°06 - Coupe du monde
Le lacéré anonyme - Jacques Villeglé
š! #39 'The End' - coll.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
The Shelf - Journal 3
Dans la Lune - Fanette Mellier
Collective Design : Alison & Peter Smithson 







