Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Objets Minces - Collectif
It was a good day - Jeremy Le Corvaisier
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Assembly - Sam Porritt
Christina Forrer - Don’t Swallow Your Tongue
Soundtrack/s - Rosaire Appel
Anderlecht — Molenbeek - Pierre Blondel
Deep state - Mathieu Desjardins 







