Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Harry Thaler's Pressed Chair
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le 6b Saint-Denis, dans un tiers-lieu culturel
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
L'inventaire des destructions - Éric Watier
Fluent - Laëticia Donval
Ventoline 6 - Coll
Halogénure #04
La mémoire en acte - Quarente ans de création musicale
À partir de n°1 - Coll.
Rond-point au mammouth - Sur une idée de Veit Stratmann
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Saveurs imprévues et secrètes - Gilbert Lascault
Idoine & Sissy Hankshaw
Catalogue Art Guys - That's painting productions, Bernard Brunon
Artzines #12 Provo Special
Critique & création - L.L. de Mars
La traversée - Magali Brueder 







