Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Instructional Photography: Learning How to Live Now - Carmen Winant
9 octobre 1977 - Roberto Varlez
Il est si difficile de trouver le commencement - Helen Thorington
La traversée - Magali Brueder
Photographic Fields - Joël Van Audenhaege
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Aristide n°4
Keywording (Post) Contemporary Art - Greta Rusttt
Saveurs imprévues et secrètes - Gilbert Lascault
Assembly - Sam Porritt
Un cahier - Michel Quarez
Le vieux père - Laurent Kropf
Shanghai Cosmetic - Leslie Moquin
Temps d'arrêt - Etienne Buyse
Laura Mulvay - Fetichisme et curiosité
RISO Le Lézard de Heidegger - Philonimo 4 - Sophie Vissière
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Prose postérieure - Les commissaires anonymes
Regards croisés — Gekreutze Blicke - Yeloyolo
ARTZINES #1, Paris issue
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri 







