Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Tanière de lune - Maria-Mercé Marçal
Norovirus - Orgie en mers chaudes - Claude Grétillat
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Paravents - Eva Taulois
L’Écureuil de James - Alice Brière-Haquet, Liuna Virardi
Temps d'arrêt - Etienne Buyse
(page 1 et 17) - Lorraine Druon
Tableaux fluo - 2013-2016 - Nina Childress
Un essai sur la typographie - Eric Gill
Entretiens – Jérôme Dupeyrat
RISO Le Lézard de Heidegger - Philonimo 4 - Sophie Vissière
Critique d'art n°55
De lave et de fer - Laurent Feynerou
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Mökki n°2 







