Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Revue La Ronde n°14
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
A Few Homers - coll.
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
In The Navy - Julien Kedryna
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Roven n°4
Dernier royaume - Quentin Derouet
America - Ayline Olukman, Hélène Gaudy
Deep state - Mathieu Desjardins
Zoom Age - Julien Auregan
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Illusive prosody - Alex Beaurain
interférence - 2 - maycec
Mercometal
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Paravents - Eva Taulois
MAN - Erik Kessels, Karel De Mulder
Beatmap - Alex Besikian
Wayfaring - Patrick Messina, André S. Labarthe
Autoportrait - Carla Lonzi
Ar(t)chitectures situées - Étienne Delprat
Poèmes - Yvonne Rainer
Bambi # 4 - Collectif 







