Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Critique d'art n°56
Critique & création - L.L. de Mars
Modern Instances, The Craft of Photography - Stephen Shore
Strates & Archipels - Pierre Merle
Après la révolution – numéro 1
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Holy etc. - Fabienne Radi
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
UPO 2 - J'aimerai être là - Xenia Naselou
Shanghai Cosmetic - Leslie Moquin
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Pénurie - Zivo, Jérôme Meizoz
Bambi # 4 - Collectif 







