Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Der Erste Rotkehlchen - Le livre
Trous gris - Michel Vachey
twen [1959–1971]
The Shelf - Journal 3
Aristide n°4
Seoul Flowers & Trees - tribute to Lee Friedlander
La grande surface de réparation - Gilles Pourtier
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Una Silla Plegada ( A Folded Chair) - José Quintanar
Cuadernos - Henry Deletra 







