Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eldorado maximum - Les commissaires anonymes
Victor Papanek - Design pour un monde réel
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
ICCMHW - Atelier Choque Le Goff
Le Dépli - Loïc Largier
Gros Gris n°4 - Duel
Illusive prosody - Alex Beaurain
La prise - Florian Javet
Perturbations - Rosaire Appel
The Shelf - Journal 3
Mökki n°2
Keywording (Post) Contemporary Art - Greta Rusttt
Titanic Orchestra - Julien Mauve
To Be Determined: Photography and the Future - Duncan Wooldridge
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Cuadernos - Henry Deletra 







