Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gros Gris n°4 - Duel
Artzines #12 Provo Special
The Book Fight - Chihoi
Humoral Fortuities - Francesco Albano’s
Slanted 30 - Athens
Je ne peux pas ne pas - Geneviève Romang
Lili, la rozell et le marimba / revue n°2
La Janais - Gaëtan Chevrier, Jérôme Blin
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Pénurie - Zivo, Jérôme Meizoz
Bodies in Scattered Light - Andriu Deplazes
Burning Images, A History of Effigy Protests - Florian Göttke
Aurore Colbert - Marie Mons
Deep state - Mathieu Desjardins
interférence - 3 - maycec
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Entretiens – Jérôme Dupeyrat
Retour d'y voir - n° 1 & 2 - Mamco
Promenade au pays de l'écriture - Armando Petrucci
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Grilles - Zelda Mauger
Salt Crystal - Fabio Parizzi
Tarwar - Ilan Manouach
Editer l’art – Leszek Brogowski
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
La Romantica
Zoom Age - Julien Auregan
Intérieur - Samoth Trauberchel
Cuadernos - Henry Deletra 







