Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
L'atelier partagé avec Géraldine Trubert
Architecture-Belvédère - Lou-Andréa Lassalle & Bérénice Béguerie
Mökki n°2
PRISON MUSEUM - Nicolò Degiorgis
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Le singe et le bijoux - Roxane Lumeret
Sights - Henry McCausland
twen [1959–1971]
Le style anthropocène - Philippe Rahm
Green (or moles on a golf course) - Aslak Gurholt
Piano - Joseph Charroy
Reading - Ilan Manouach
IMPROVISATION N. 190220 - Miki Lowe
Pectus Excavatum - Quentin Yvelin
16 x 421 - Lorraine Druon
genital or genius - Paul
Kriss Kross 2019 - Genêt Mayor
It was a good day - Jeremy Le Corvaisier
Good Company - Paul Van der Eerden
Les voiles de Sainte-Marthe - Christian Rosset
Image Canoë - Jérémie Gindre
Détours - Vincent Chappuis
Zoom Age - Julien Auregan
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Polyphème (d'après Euripide) - J. & E. LeGlatin
Femme, Arabe et... Cinéaste - Heiny Srour
10 MINUTES Architects and Designers in Conversation
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Sans titre - Chris Kiss 







