Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eros negro n°4 - Démoniak
Machiavel chez les babouins - Tim Ingold
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Atopoz - Collectif
Tanière de lune - Maria-Mercé Marçal
Mökki n°4
Pectus Excavatum - Quentin Yvelin
Gros Gris n°4 - Duel
fig. #6 - antithèse
Critique d'art n°55
La France de tête #04
Délié - Baptiste Oberson
Temps d'arrêt - Etienne Buyse
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Sébastien - Antoine Orand
Sans titre - Chris Kiss 







