Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Wayfaring - Patrick Messina, André S. Labarthe
Critique & création - L.L. de Mars
Poèmes - Yvonne Rainer
Eros negro #2 - Demoniak
Dans la Lune - Fanette Mellier
It was a good day - Jeremy Le Corvaisier
L'arum tacheté de J-M. Bertoyas
Débris N°2 - Théo Garnier Greuez
Keywording (Post) Contemporary Art - Greta Rusttt
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Zoom Age - Julien Auregan
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Eurob0ys Crysis - Massimiliano Bomba, Leon Sadler, Yannick Val Gesto
Dernier royaume - Quentin Derouet
Optical Sound 3
Mökki n°2
Perturbations - Rosaire Appel
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Artzines # 10 - Show & Tell #2 NY Special
1994 - 2001 - Lorenzo Castore
Illusive prosody - Alex Beaurain
Sans titre - Chris Kiss 







