Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

movement in squares - Stefanie Leinhos
Avec ce qu'il resterait à dire - Anne Maurel
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Temps d'arrêt - Etienne Buyse
Sillo n°3 - Le Fauve
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Prose postérieure - Les commissaires anonymes
Aurore Colbert - Marie Mons
Les glaciers - Lorraine Druon
9 octobre 1977 - Roberto Varlez
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Sans titre - Benjamin Hartmann 







