Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Bande Annonce - Cinéma & Bande Dessinée - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Victor Papanek - Design pour un monde réel
Comic Book (Untitled) - Stéphanie Leinhos
Radio-Art - Tetsuo Kogawa
Deep state - Mathieu Desjardins
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Le Dépli - Loïc Largier
Catalogue Art Guys - That's painting productions, Bernard Brunon
Close encounters of the hand and glove
The Shelf - Journal 3
Le lacéré anonyme - Jacques Villeglé
Artzines # 10 - Show & Tell #2 NY Special
Parents Must Unite + Fight – Hackney Flashers - Camille Richert, Hackney Flashers
Janitor of Lunacy - Bryan Campbell
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Optical Sound 3
BIC011 Montes - Braulio Amado
Sans-Titre - Laurens Van'T Riet
interférence - 3 - maycec
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Ravedeath Convention - Jan Philipzen
Prototype 02 - morcellement
Tomber dans l'escalier - Jasper Sebastian Stürup
Sans titre - Benjamin Hartmann 







