Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

In The Navy - Julien Kedryna
Fièvre - Ronan Bouroullec
Titties - Nour Hifaoui
Carnivore - Grow
De lave et de fer - Laurent Feynerou
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Elk - Jocko Weyland
genital or genius - Paul
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
MENU メニュー - Wataru Tominaga
Hmm ! - C. de Trogoff
Revue Les Saisons n°3
Sillo n°3 - Le Fauve
Promenade au pays de l'écriture - Armando Petrucci
Sébastien - Antoine Orand
Pain liquide n° 01
Auprès, au sein — Julien Van Anholt
La traversée - Magali Brueder
Slanted 30 - Athens
Rasclose - Geoffroy Mathieu
La construction - Perrine Le Querrec
Le dos des choses - Guillaume Goutal
Migrant Mother, Migrant Gender - Sally Stein
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Turbo Decompress - Coll.
Sans titre - Benjamin Hartmann 







