Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Lavalse des tambours - Paul Rey
Karbone Magazine n°8 - Parasite
ICCMHW - Atelier Choque Le Goff
Reading - Ilan Manouach
L’île de Reil - Karine Portal
Deep state - Mathieu Desjardins
In the presence of being absent... Arrgh. - Stéphanie Leinhos
KUHANE O TE AKI - Stephie Devred
Pilote - Mathilde Sauzay
Bacon le Cannibale - Perrine Le Querrec
Keywording (Post) Contemporary Art - Greta Rusttt
Prélude - Julien Gobled
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Lili, la rozell et le marimba / revue n°2
An Inventory Of - Daniele Franzella
Jardín de mi padre - Luis Carlos Tovar
L'inventaire des destructions - Éric Watier
Vanishing Workflows - Xavier Antin
Les oiseaux - Lola Raban, Jean-René Etienne
IRL - In real life n°1 - Coll.
Betty Tompkins - Raw Material
La traversée - Magali Brueder
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Dernier royaume - Quentin Derouet
Délié - Baptiste Oberson
Gruppen n°14 - Collectif
Mökki n°2
Aube - Caroline Bachmann
Sans titre - Benjamin Hartmann 







