Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les glaciers - Lorraine Druon
Dear Paul - Paul Van der Eerden
Piano - Joseph Charroy
Tomber dans l'escalier - Jasper Sebastian Stürup
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Rasclose - Geoffroy Mathieu
ARBRES-TRONCS - Zoé van der Haegen
Éclats III - Athanor
Chantonnements - Geoffroy Pithon
Spécimen Typographique : No Ko - Loris Pernoux
MAN - Erik Kessels, Karel De Mulder
BEAUTY MEE EYE - Luc Natral
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Hmm ! - C. de Trogoff
Sans titre - Benjamin Hartmann 







