Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Bambi # 4 - Collectif
Deep state - Mathieu Desjardins
Crampes pâles... Mathilde Brion et Martin Lafaye
Recto Versu - Bill Noir
Le dos des choses - Guillaume Goutal
MASKS - Damián Ortega
A l'origine - Anne-Émilie-Philippe
Critique & création - L.L. de Mars
Holy etc. - Fabienne Radi
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
本の本の本 - antoine lefebvre editions,
Laura Mulvay - Fetichisme et curiosité
Sans titre - Benjamin Hartmann 







