Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Temps d'arrêt - Etienne Buyse
Bokkusu - Nigel Peake
Der Erste Rotkehlchen - Le livre
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Imagos - Noémie Lothe
Le corps travesti - Michel Journiac
Underground graphic design archive Paris
Musée des Beaux-Arts - Pierre Martel
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Spécimen Typographique : No Ko - Loris Pernoux
Pectus Excavatum - Quentin Yvelin
Un peu comme voir dans la nuit - Leif Elggren + CD
Brush Master - Jasper "Mississippi" Travis
Sans titre - Benjamin Hartmann
Fluent - Laëticia Donval
La prise - Florian Javet
La construction - Perrine Le Querrec
Le singe et le bijoux - Roxane Lumeret
Mökki n°4
Beowulf - Eva Maceková
IBM – Graphic Design Guide from 1969 to 1987
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
Holy Mountain - Maia Matches, Knuckles & Notch
Délié - Baptiste Oberson 







