Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Titanic Orchestra - Julien Mauve
Der Erste Rotkehlchen - Le livre
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Good Company - Paul Van der Eerden
Image Canoë - Jérémie Gindre
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Modern Instances, The Craft of Photography - Stephen Shore
Aristide n°4
Machiavel chez les babouins - Tim Ingold
Teddy et le Grand Terrible - Orian Mariat.
Inchiostri + Inchiostri Supplement - Ronan Bouroullec
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
La typographie des Penguin Classics - Andrew Barker
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Grilles - Zelda Mauger
Tomber dans l'escalier - Jasper Sebastian Stürup
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







