Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

In The Navy - Julien Kedryna
Temps d'arrêt - Etienne Buyse
Seoul Flowers & Trees - tribute to Lee Friedlander
Après la révolution – numéro 1
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Denver Mosaic 1961 - René Heyvaert
Der Erste Rotkehlchen - Le livre
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Marginalia - Clément Laigle
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril 







