Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Alma Mater n°1
interférence - 2 - maycec
Dernier royaume - Quentin Derouet
Illusive prosody - Alex Beaurain
La Typographie Moderne - Robin Kinross
Hybrid heads - Daniela Dossi
Quels problèmes les artistes éditeurices peuvent-iels résoudre ? - Collectif
Catalogue Art Guys - That's painting productions, Bernard Brunon
Pénurie - Zivo, Jérôme Meizoz
Le blanc nez - Fouss Daniel
Village - Julie Safirstein
< - Gabriel Kuri
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Tomber dans l'escalier - Jasper Sebastian Stürup
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Pik Nik à Talinn - Thomas Chmp
Poèmes - Yvonne Rainer
Blaclywall by Sihab Baik - Claude Closky
La construction - Perrine Le Querrec
Auprès, au sein — Julien Van Anholt
ARTZINES #1, Paris issue
Paysageur n°3 - Mobiles
May you Continue to Blossom - Alexandra Dautel
Optical Sound 3
Gone - Pierre La Police
IBM – Graphic Design Guide from 1969 to 1987
Aurore Colbert - Marie Mons 







