Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

À partir de n°1 - Coll.
Strates - Else Bedoux
SKKS - Gilles Pourtier
Der Erste Rotkehlchen - Le livre
Gros Gris n°4 - Duel
America - Ayline Olukman, Hélène Gaudy
Zoom Age - Julien Auregan
Collage - Laura McMorrow
Editer l’art – Leszek Brogowski
Un essai sur la typographie - Eric Gill
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Crise de foie - Christine Demias
Le Gabion - Théo Robine-Langlois
L'atelier partagé avec Géraldine Trubert
Roven n°5
Le blanc nez - Fouss Daniel
Papier magazine n°06 - Coupe du monde
La typographie des Penguin Classics - Andrew Barker
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Rasclose - Geoffroy Mathieu
Tupera Tupera Postcard Book 







