Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Gruppen n°14 - Collectif
Good Company - Paul Van der Eerden
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
movement in squares - Stefanie Leinhos
Un cahier - Michel Quarez
Après la révolution – numéro 1
Turbo Decompress - Coll.
Ellipse - Ismail Alaoui-Fdili
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Konrad Becker - Dictionnaire de réalité stratégique
Bruits - Emmanuel Madec
Fluent - Laëticia Donval
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Super Kiblind 3
Editer l’art – Leszek Brogowski
Ar(t)chitectures situées - Étienne Delprat
Piotr - Pierre Escot, Denis Lavant
Photographic Fields - Joël Van Audenhaege
UPO 2 - J'aimerai être là - Xenia Naselou
Email Diamant - Fabienne Radi
Tomber dans l'escalier - Jasper Sebastian Stürup
Before Science - Gilles Pourtier, Anne-Claire Broc'h 







