Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

IBM – Graphic Design Guide from 1969 to 1987
Elk - Jocko Weyland
Le vieux père - Laurent Kropf
ARBRES-TRONCS - Zoé van der Haegen
The Book Fight - Chihoi
Retour d'y voir - n° 3 & 4 - Mamco
Artzines #12 Provo Special
Livre d'un Révélation - Chloé Ravenel
Collective Design : Alison & Peter Smithson
Papier magazine n°06 - Coupe du monde
Talweg 6 - La distance
Betty Tompkins - Raw Material
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







