Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Vers Vermersch - Thomas Dunoyer de Segonzac
Jean-Jacques a dit - Angèle Douche
I Am Not I - Boris Mikhailov
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
La Janais - Gaëtan Chevrier, Jérôme Blin
Crise de foie - Christine Demias
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Dark optics - David Claerbout
Objets Minces - Collectif
Good Company - Paul Van der Eerden
Holy Mountain - Maia Matches, Knuckles & Notch
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Revue Les Saisons n°3
Le chateau enchanté - Atelier Mclane
Ce qu'est ce que - Gabriel Hibert
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Tchat - Gary Colin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







