Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Eros Negro # 1 - Demoniak
Retour d'y voir - n° 1 & 2 - Mamco
Atopoz - Collectif
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Keywording (Post) Contemporary Art - Greta Rusttt
Imagos - Noémie Lothe
Pénurie - Zivo, Jérôme Meizoz
Titanic Orchestra - Julien Mauve
ICCMHW - Atelier Choque Le Goff
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Tomber dans l'escalier - Jasper Sebastian Stürup
It was a good day - Jeremy Le Corvaisier
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







