Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Les Grands Ensembles - Léo Guy-Denarcy
Farandole - Jérémie Fischer
interférence - 2 - maycec
Le blanc nez - Fouss Daniel
Ce qu'est ce que - Gabriel Hibert
Editer l’art – Leszek Brogowski
Keywording (Post) Contemporary Art - Greta Rusttt
Optical Sound 2
Costumes - Anne Jourdain
It was a good day - Jeremy Le Corvaisier
IBM – Graphic Design Guide from 1969 to 1987
Perturbations - Rosaire Appel
Le corps travesti - Michel Journiac
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 







