Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

The Shelf - Journal 3
Mise en Abyme - Yelena Yemchuk
Temps d'arrêt - Etienne Buyse
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Stéréo couleurs - Atelier Bingo
America - Ayline Olukman, Hélène Gaudy
Pastel Tuning - Super Terrain
Gros Gris n°4 - Duel 







