Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Aurore Colbert - Marie Mons
The white bird - Harrison Miller
Denver Mosaic 1961 - René Heyvaert
La Couleur du Geste - Héloïse Bariol
À partir de n°1 - Coll.
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Prélude - Julien Gobled
Una Silla Plegada ( A Folded Chair) - José Quintanar
Theatre - Dan Graham
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Stéréo couleurs - Atelier Bingo
La France de tête - Lot de 4 numéros
Roven n°4
interférence - 3 - maycec
Détours - Vincent Chappuis
Deep state - Mathieu Desjardins
ADBC du Dessin - Jacques Floret
Gros Gris n°4 - Duel
Gruppen n°13 - Collectif
Plaisir Solide - Hélène Bellenger & Charlotte Perrin
genital or genius - Paul
Recto Versu - Bill Noir
Image Canoë - Jérémie Gindre
Surface Tension - Tabitha Soren
Menus Plaisirs - Lisa Mouchet
Un cheval, des silex - Benoît Maire, Sally Bonn
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Critique & création - L.L. de Mars
Confetti - Gary Colin
Grilles - Zelda Mauger
Aristide n°4 







