Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Julien l'hospitalier Tome 1 - Claire Pedot
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Citrus maxima xparadisi - coll.
UPO 2 - J'aimerai être là - Xenia Naselou
Aube - Caroline Bachmann
Papier magazine n°06 - Coupe du monde
Sans titre - Chris Kiss
Sans titre - Benjamin Hartmann
Collective Design : Alison & Peter Smithson
Sights - Henry McCausland
< - Gabriel Kuri
Ventoline 5 - Coll.
Gros Gris n°4 - Duel
Le blanc nez - Fouss Daniel
Lavalse des tambours - Paul Rey
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Modern Instances, The Craft of Photography - Stephen Shore
Schindler Manifesto
Morph - Camilo García A.
Aristide n°4 







