Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Imagos - Noémie Lothe
Les glaciers - Lorraine Druon
Hobo Nickel - Damien Sauvage
Aristide n°4
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Le déclin du professeur de tennis - Fabienne Radi
Slikmiks - Mikkel Sommer / Mekl
Slanted 30 - Athens
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
À partir de n°1 - Coll.
Bokkusu - Nigel Peake
Reading - Ilan Manouach
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Délié - Baptiste Oberson 







