Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Grilles - Zelda Mauger
Dédale - Laurent Chardon
Critique & création - L.L. de Mars
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Carnivore - Grow
À partir de n°1 - Coll.
Six Months - Nathalie Ghanem-Latour
Imagos - Noémie Lothe
Una Silla Plegada ( A Folded Chair) - José Quintanar
Le vieux père - Laurent Kropf
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
A R N O R D I R - FLorian Marciourt
Image Canoë - Jérémie Gindre
Jardín de mi padre - Luis Carlos Tovar
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Optical Sound 3
Une livre - Christine Demias
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Modern Instances, The Craft of Photography - Stephen Shore
People in a faraday cage - Stéphanie Gygax
Kriss Kross 2019 - Genêt Mayor
Slanted 24 - Istanbul
ARTZINES #1, Paris issue
La prise - Florian Javet 







