Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Deep state - Mathieu Desjardins
Idoine & Nayoung Kim
Mökki n°4
Bambi # 4 - Collectif
Après la révolution – numéro 1
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Good Company - Paul Van der Eerden
Les soleils qui tournent ont des oreilles - coll.
Travaux Discrets (d'après Brueghel) - Éric Watier
Nudism in a Cold Climate - Annebella Pollen
Problèmes de localisation - Élise Legal
Saint Julien l'hospitalier Tome 1 - Claire Pedot
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Entretiens – Jérôme Dupeyrat
Imagos - Noémie Lothe
Optical Sound 2
Morph - Camilo García A.
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Machiavel chez les babouins - Tim Ingold
La prise - Florian Javet 







