Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Lucky Me - Eva Rotreklová & Jules Janssen
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
1994 - 2001 - Lorenzo Castore
Planète B - Gwenola Wagon
La Typographie Moderne - Robin Kinross
Denver Mosaic 1961 - René Heyvaert
Deep state - Mathieu Desjardins
La construction - Perrine Le Querrec
Entretiens – Jérôme Dupeyrat
Titanic Orchestra - Julien Mauve
Dialogue de dessins 8 - Marcus Oakley, Roxane Lumeret, Zad Kokar
本の本の本 - antoine lefebvre editions,
Papier magazine n°06 - Coupe du monde
Super Kiblind 3
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Critique d'art n°54
Imagos - Noémie Lothe
ICCMHW - Atelier Choque Le Goff
La traversée - Magali Brueder
Aristide n°4
Bobst Graphic 1971-1981 - G. Cachin ; D Fornari ; F Rappo
Soldes n° 07
Turbo Decompress - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
On-off Tones - Anna Bergquist
EMERGENCY - Jérémie Gaulin, Martin Desinde, Élodie Petit, Théo Robine-Langlois, M'hand Abadou Djezairi, etc.
Menus Plaisirs - Lisa Mouchet
Konrad Becker - Dictionnaire de réalité stratégique
Keywording (Post) Contemporary Art - Greta Rusttt
Critique d'art n°55
Je ne peux pas ne pas - Geneviève Romang 







