Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cuadernos - Henry Deletra
Retour d'y voir - n° 1 & 2 - Mamco
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Le corps travesti - Michel Journiac
ARTZINES #1, Paris issue
Followers - Agnès Wyler
Lucky Me - Eva Rotreklová & Jules Janssen
Temps d'arrêt - Etienne Buyse
10 MINUTES Architects and Designers in Conversation
Typologie – La tente de camping
Le style anthropocène - Philippe Rahm
Je ne peux pas ne pas - Geneviève Romang 







