Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

A Compilation Of Contemporary Letter Designs
Radio-Art - Tetsuo Kogawa
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le blanc nez - Fouss Daniel
ARTZINES #3 - Tokyo issue
Slanted 24 - Istanbul
Imagos - Noémie Lothe
Dédale - Laurent Chardon
Papier magazine n°06 - Coupe du monde
Odette - Benoît Le Boulicaut
Le lacéré anonyme - Jacques Villeglé
Lavalse des tambours - Paul Rey
Salt Crystal - Fabio Parizzi
Un cahier - Michel Quarez
Autoportrait - Carla Lonzi
Entretiens – Jérôme Dupeyrat
JJ – Tartine-moi et autres textes - Jill Johnston
Florina Leinß - Ersatzteillager
Capolavori - Livio Vacchini
Talk Soon - Erik Kessels & Thomas Sauvin
Une généalogie des grandes oreilles - Lauren Tortil
Délié - Baptiste Oberson
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
movement in squares - Stefanie Leinhos
Je ne peux pas ne pas - Geneviève Romang 







