Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cuadernos - Henry Deletra
Blaclywall by Sihab Baik - Claude Closky
Followers - Agnès Wyler
Tanière de lune - Maria-Mercé Marçal
Der Erste Rotkehlchen - Le livre
Le lacéré anonyme - Jacques Villeglé
La Janais - Gaëtan Chevrier, Jérôme Blin
Dear Paul - Paul Van der Eerden
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Vacuité 9090 - Jérémy Piningre
Lili, la rozell et le marimba / revue n°2
Je ne peux pas ne pas - Geneviève Romang 







